Smell that, smells like freedom, that’s right I’m finally free from the yoke of college (for the summer at least) so thanks y’all for the patience on this mixtape but the finals were calling and I couldn’t have them leave a message. I’m excited for this one to drop ladies and gentleman, high hitting, in the pocket funky grooves and outstanding performances, new and old and definitely fresh.
The lyrics cry longing, the instruments dance and the band grooves pay attention to that little guitar lick (you’ll see what I mean) Sharon Jones’s performance, it wouldn’t be a stretch to call her the female James Brown, and sax solo is worth the download alone.
she’s swinging from my heartstrings
singing that she’s climbing up.
she drinks bourbon from her daddy’s favorite coffee cup.
and she’s flying down the highway
crying that she won’t confess.
she’ll walk to charlotte like a princess
in her mama’s wedding dress.
and i watch her break away
more and more every day.
thats just the opening verse, some people have a way with words, and heck he’s gotta thing for melody and arranging too.
J. Geils was the ultimate bar band, they had fun, they didn’t get bogged down by ambition, they rocked a dirty gritty sound anchored by Peter Wolf’s gruff vocals, you can tell they’re just having fun here, and the slide solo in the middle is absolutely euphoric.
If for just one reason, get the song for its beat, because shit it is heavy. Another? Beck is a hell of a producer and arranger, this one plays out like an updated Bill Withers song, funky, soulful and full of power.
Ethereal out of this world harmonies meets a pastoral spirit, if I believed in heaven, the angels themselves would be crying from the beauty of this song. Blasphemy? Yes, worth being sent to hell for for saying it? Also Yes.
Yes he didn’t have the musical talent of his famous counterparts, but the man’s almost 70, and his voice has aged miraculously and his songwriting better than anything previous, Paul McCartney provides the bass line and the melody has that Beatle catchyness written all over it, and its a good message.
Another great song off the new album, with a melancholy backing harmony provided by Paul McCartney, its almost a little sad how much McCartney’s voice has aged in comparison to Ringo’s but its sweet and sentimental.
Off of Cleary’s debut, Pick Up the Pieces starts off slowly, reminiscent of a song Lionel Ritchie wished he was good enough to write, before progressing into an Elton John and Little Feat like groove; funky, powerful, and absolutely golden.
A wonderful artist lost in the annals of time, a Louisiana native who achieved and perfected the sound The Band became known for after their debut The Big Pink, in fact, The Band plays the second fiddle here, backing Charles up.
A song off their new album Transference featuring a bubbly bassline and their always creative arrangements, I could see Phoenix covering this song its right up their alley, so if you like Phoenix or Spoon (and who doesn’t) grab this song.
The original is already a stone cold funky classic, this version has a reworked bright 70’s styled piano and a live background, Natalie Cole ((This Will Be) An Everlasting Love) would be proud. Oh did I tell you he’s a white british guy, because he sure doesn’t sound like it.
As marvelous as his originals were, Al Green was a fantastic interpreter of well, anything thrown at him. For The Good Times is originally a country song written by Kris Kristofferson and Al Green puts forth a powerful version, inhabiting, not just singing the lyrics.